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Sting

Sting
Gordon Matthew Thomas Sumner, CBE (born October 2, 1951), universally known by his stage name Sting, is an Academy Award-nominated sixteen time Grammy-winning English musician from Wallsend in North Tyneside. Prior to starting his solo career, he was the principal songwriter, lead singer and bass guitar player of the rock band The Police. As a solo musician and member of The Police, Sting has sold over 45 million records[1], and received over sixteen Grammy Awards for his work, receiving his first Grammy for Best Rock Instrumental Performance in 1981, and receiving an Oscar nomination for best song.

Sting has stated that he gained his nickname while with the Phoenix Jazzmen. He once performed wearing a black and yellow sweater with hooped stripes that bandleader Gordon Solomon had noted made him look like a bumblebee; thus Sumner became "Sting". He uses Sting almost exclusively, except on official documents. In a press conference filmed in the movie Bring on the Night, he jokingly stated when referred to by a journalist as Gordon, "My children call me Sting, my mother calls me Sting, who is this Gordon character?".

Activism:
While with the Police, Sting wrote "Driven to Tears", an angry indictment of apathy in the face of world hunger, and it preceded his work on Sir Bob Geldof's "Feed The World" project. Sting sang on "Do They Know It's Christmas?" -- a hit single from Geldof's pop music super-group called "Band Aid" which eventually led to the Live Aid Concert in July 1985, in which Sting also took part, performing with Branford Marsalis, Phil Collins, and with the group Dire Straits.

Throughout the 1980s, Sting strongly supported environmentalism and humanitarian movements, such as Amnesty International. In 1986 he was interviewed by the BBC about the origins of his support for Amnesty International and he stated: "I've been a member of Amnesty and a support member for five years, due to an entertainment event called The Secret Policeman's Ball and before that I did not know about Amnesty, I did not know about its work, I did not know about torture in the world."

Sting's first involvement in the human rights cause occurred in September 1981 when he was invited by producer Martin Lewis to participate in the fourth Amnesty International gala The Secret Policeman's Other Ball following the example set at the 1979 show by Pete Townshend. Sting performed two of his Police compositions as a soloist - "Roxanne" and "Message in a Bottle"' - appearing on all four nights of the show at the Theatre Royal in London. Sting also led an impromptu super-group of other musicians (dubbed The Secret Police) performing at the show including Eric Clapton, Jeff Beck, Phil Collins, Donovan, Bob Geldof and Midge Ure in the show's grand finale - Sting's own reggae-tinged arrangement of Bob Dylan's I Shall Be Released. The event was the first time that Sting had worked with Geldof, Collins and Ure - an association that developed further with 1984's Band Aid and 1985's Live Aid. Sting's performance - his first live appearances as a solo performer - was prominently featured on the album of the show (being its lead tracks) and in the film. In 1986, Sting was one of the headline performers on Amnesty's A Conspiracy of Hope tour of the US. In late 1986, Sting visited Quentin Crisp in his New York City apartment and learned about what it was like for Crisp to grow up gay in the homophobic 1920s - 1960s. As a result, Sting dedicated the song "Englishman In New York" to Crisp.

The summit of his many contributions to the human-rights cause came in 1988, when he joined a team of other major musicians - including Peter Gabriel and Bruce Springsteen - assembled under the banner of Amnesty International for the six-week world tour Human Rights Now! Tour celebrating the 40th anniversary of the signing of the Universal Declaration of Human Rights.

In 1988, he released the single "They Dance Alone" which chronicled the plight of the mothers, wives and daughters of the "disappeared", the innocent victims of the Pinochet regime in Chile. Unable to publicly voice their grievances to the government about their missing loved ones, for fear that they would "go missing" too, the women of Chile would pin photos of their "disappeared" relatives on their clothing, and dance in silent outrage against the government in public places.

With his wife Trudie Styler and Raoni Metuktire, a Kayapó Indian leader in Brazil, Sting founded the Rainforest Foundation to help save the rainforests. His support for these causes continues to this day, and includes an annual benefit concert held at New York's Carnegie Hall with Billy Joel, Elton John, James Taylor and other music superstars. A species of Colombian tree frog, Dendropsophus stingi, was named after him in recognition of his "commitment and efforts to save the rain forest" (Kaplan 1994).

Sting and his wife Trudie Styler were awarded the Peace Abbey Courage of Conscience award in Sherborn Mass on June 30, 2000. Singer/song writer, documentary film producers for their commitment to the environment through the establishment of the Rainforest Foundation; to human rights in China through the documentary film on Tiananmen Square; and to peace and social justice through the powerful gift of song.

In the early 1990s, Sting performed with Don Henley and Billy Joel in New York's Madison Square Garden at The Concert for Walden Woods. He also took part in the post-9-11 rock telethon to raise money for the families of the victims of terror attacks in the United States, and performed at the Live 8 concert, the follow up to 1985's Live Aid Concert.

Sting is known to support cannabis reclassification in the United Kingdom. Following Tony Blair's intention to revoke the rescheduling of cannabis executed in January 2006, he has joined a list of prominent figures who have written to the Prime Minister urging him to keep cannabis as a class C drug.

Visit
www.sting.com for more information.

Discography

The Dream of the Blue Turtles

The Dream of the Blue Turtles is the first solo album released by Sting. It includes ten tracks and was released in 1985, only a year after The Police had unofficially broken up. This album showcases Sting's abilities as a musician in the jazz and classical genres. There are also hints of Sting wanting fans to view him as more than just a member of The Police, as evidenced by the intentional and sudden contrast of musical style from his former band. The album includes some of the strongest political songs from Sting, including "Russians" (about Cold War nuclear anxiety), "Children's Crusade" (comparing the devastation of the younger generation in World War I to devastation brought about by heroin addiction in modern-day London), and "We Work the Black Seam" (about the recent U.K. Miners' Strike).


...Nothing Like the Sun

The album was influenced by two events in Sting's life: first, the death in late 1986 of his mother, which contributed to the sombre tone of several songs; and second, his participation in A Conspiracy of Hope Tour on behalf of Amnesty International, which brought Sting to parts of Latin America that had been ravaged by civil wars, and introduced him to victims of government oppression. "They Dance Alone (Cueca Solo)" was inspired by his witnessing of public demonstrations of grief by the wives and daughters of men missing in Chile, presumed tortured and murdered by the military dictatorship of the time, who danced the cueca (the traditional dance of Chile) by themselves, with photos of their loved ones pinned to their clothes. "Be Still My Beating Heart" and "The Lazarus Heart" approach the subjects of life, love and death and also featured Police guitarist Andy Summers. Elsewhere on the album, "Englishman in New York", which is an honour to the gay writer and performer, Quentin Crisp, continues the jazz-influenced music more commonly found on Sting's previous album, as does "Sister Moon". The album's first single and biggest hit, "We'll Be Together" (reportedly, not one of Sting's favorites), sported a prominent dance beat and funk overtones; it reached #7 on the Billboard Hot 100 charts in late 1987 and even crossed over to the R&B charts. Overall the album's sales now stand at over 2 million, making it one of Sting's best-sellers.


The Soul Cages

The Soul Cages is a concept album focused on the death of his father. Sting has said in interviews that he developed a writer's block shortly after his father's death. This episode lasted several years and he was unable to write any songs at all. The only way he was able to overcome this affliction was to deal with the death of his father through his music. The first song written for The Soul Cages was "Why Should I Cry for You?" and Sting has stated the rest of the album flowed quite easily after that first hurdle was overcome. Most of the songs have motifs related to sailing or the seas (Sting's father, according to Sting's autobiography Broken Music, had always regretted not becoming a sailor). There are also references to Newcastle, the part of England where Sting grew up.


Ten Summoner's Tales

Ten Summoner's Tales is the fourth solo studio album by the rock musician Sting. The title is a combined pun of his given name, Gordon Sumner, and Geoffrey Chaucer's The Canterbury Tales character, the summoner. Released in 1993, it explores themes of love and morality in a noticeably upbeat mood compared to his previous release, the introspective The Soul Cages.

This album only contained two U.S. hits; "If I Ever Lose My Faith in You" reached #17 on the Billboard Hot 100 and "Fields of Gold" reached #23.

Ten Summoner's Tales was nominated for the Mercury Prize in 1993 and nominated for the Grammy Awards Album of the Year in 1994.


Mercury Falling

Mercury Faling is the fifth studio album released by Sting. The album was marked by its tight studio production and use of brass reminiscent of recordings made at FAME Studios in the 60's. This release was considered by many fans to signal the beginning of Sting's transition from heavier jazz-inspired rock to the adult contemporary genre.

The track "Twenty Five to Midnight" is not available on every release of the album. It is listed in the official Sting.com discography tracklist, but it excluded from the USA and Canada releases.

The album begins and ends with the words "mercury falling".


Brand New Day

Brand New Day peaked at #9 on the Billboard Top 200 and sold over 3,000,000 copies. The song "Desert Rose" prominently features popular Algerian Raï singer Cheb Mami. Originally, Sting's usual producer Hugh Padgham was to produce the record, but Sting was happy with the work done by Kipper, and Hugh was never called. Many sounds from Spectrasonics can be heard in Kipper‘s work on the record..


Sacred Love

Sacred Love was released as a compact disc on October 13, 2003. This original studio album featured racier beats and experiments collaborating with hip-hop artist Mary J. Blige and sitar player Anoushka Shankar. Some songs like Inside and Dead Man's Rope were well received; and Sting had experimented with new sounds, in particular his more "rocky" song This War. Many of his long following fans felt he was past his best[citation needed], having changed from some of his older fusion style music.

Sting adapted the first quatrain of William Blake's 'Auguries of Innocence' for the first four sung lines of 'Send Your Love'. The music also bears huge relevance to Sting's autobiography Broken Music.


Songs of the Labyrinth

Songs From The Labyrinth is a 2006 album of recordings of the music of John Dowland by Sting and Bosnian lutenist Edin Karamazov. It entered the UK Official Top 75 Albums Chart at # 24 and reached #25 on the Billboard 200. They are strong charting peaks for a classical record on the pop album charts.


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